artists & participants

Eleanor AntinRichard AvedonAlvin BaltropJean-Michel BasquiatRobert BeckGeorge Wesley BellowsBilly Al BengstonForrest BessDawoud BeyAshley BickertonIlse BingPaul CadmusAlexander CalderChuck CloseJohn CoplansLouise Dahl-WolfeWillem De KooningJay DeFeoBeauford DelaneyCharles DemuthPhilip-Lorca diCorciaRosalyn DrexlerWalker EvansRobert FrankArshile GorkyScott GriegerNancy GrossmanSusan HallLyle Ashton HarrisRachel HarrisonMarsden HartleyDavid HarttBarkley L. HendricksLewis HineEdward HopperDouglas HueblerPeter HujarJasper Johns K8 HardyHoward KanovitzMike KelleyMary KellyKaren KilimnikByron KimWalt KuhnLouise LawlerDeana LawsonArthur LeeAnnette LemieuxAlfred LeslieGlenn LigonKalup LinzyRobert LongoSally MannRobert MapplethorpePaul McCarthyRyan McGinleySusan MeiselasToyo MiyatakeGerald MurphyWangechi MutuBruce NaumanAlice NeelLouise NevelsonArnold NewmanDorothy NormanCatherine OpieGeorgia O´KeeffeElizabeth PeytonFairfield PorterYvonne RainerLarry RiversEd RuschaJacolby SatterwhiteJoan SemmelCindy ShermanLaurie SimmonsGary SimmonsAvery SingerRaphael SoyerFlorine StettheimerRudolf Stingel SturtevantHenry TaylorStewart UooCarl van VechtenGertrude Vanderbilt Whitney WeegeeJames WellingJohn WildeHannah WilkeAndrea Zittel 

curators

press release

Human Interest: Portraits from the Whitney’s Collection offers new perspectives on one of art’s oldest genres. Drawn entirely from the Museum’s holdings, the more than two hundred works in the exhibition show changing approaches to portraiture from the early 1900s until today. Bringing iconic works together with lesser-known examples and recent acquisitions in a range of mediums, the exhibition unfolds in eleven thematic sections on the sixth and seventh floors. Some of these groupings concentrate on focused periods of time, while others span the twentieth and twenty-first centuries to forge links between the past and the present. This sense of connection is one of portraiture’s most important aims, whether memorializing famous individuals long gone or calling to mind loved ones near at hand.

Portraits are one of the richest veins of the Whitney’s collection, a result of the Museum’s longstanding commitment to the figurative tradition, which was championed by its founder, Gertrude Vanderbilt Whitney. Yet the works included in this exhibition propose diverse and often unconventional ways of representing an individual. Many artists reconsider the pursuit of external likeness—portraiture’s usual objective—within formal or conceptual explorations or reject it altogether. Some revel in the genre’s glamorous allure, while others critique its elitist associations and instead call attention to the banal or even the grotesque.

Once a rarefied luxury good, portraits are now ubiquitous. Readily reproducible and ever-more accessible, photography has played a particularly vital role in the democratization of portraiture. Most recently, the proliferation of smartphones and the rise of social media have unleashed an unprecedented stream of portraits in the form of snapshots and selfies. Many contemporary artists confront this situation, stressing the fluidity of identity in a world where technology and the mass media are omnipresent. Through their varied takes on the portrait, the artists represented in Human Interest raise provocative questions about who we are and how we perceive and commemorate others.

Human Interest: Portraits from the Whitney’s Collection is curated by Dana Miller, Richard DeMartini Family Curator and Director of the Permanent Collection and Scott Rothkopf, Deputy Director for Programs and Nancy and Steve Crown Family Chief Curator with Mia Curran, Curatorial Assistant; Jennie Goldstein, Assistant Curator; and Sasha Nicholas, consulting curator.