artist / participant
In 2017, the Stedelijk Museum presents the first survey of the American artist Seth Price. The show is a comprehensive overview of his artistic career so far, encompassing more than 140 works made since 2000, including sculpture, installation, 16mm film, photography, drawing, painting, video, clothing and textiles, web design, music and sound, and poetry. Price will be exhibiting a number of new works.
Seth Price holds a unique place in contemporary art. Rather than settle into one medium or style he has repeatedly pushed into new territory. His innovations, interests and themes have been widely influential on his own generation and younger artists, due partly to his approach to digital manipulation and cultural flux, in which a deep kinship with technology meets skepticism towards these advances. Novelist Rachel Kushner has called Price’s work “vision so accurate it becomes fiction.” Beatrix Ruf, director of the Stedelijk Museum observes: “Seth Price is a key figure in addressing technology and artistic authorship. His work traces an important art historical shift from the concept of collage, where chance played a major role and the image was constructed of multiple layers, to the concept of a unified image, which envelops us in an endless, undifferentiated, digital stream.” Themes
Price’s exhibition at the Stedelijk Museum offers an unflinching portrait of contemporary, mediated Western life. A key theme in Price’s work is the self under technological pressure. This is often expressed in terms of the ‘skins’ of surface, packaging, and wrapping: a photographic study of a person’s skin obtained through the technologies Google employs for mapping; a vacuum-formed plastic relief presenting a body part stranded in plastic; a large wall sculpture depicting the negative space between two people engaged in intimate action, greatly enlarged from a tiny internet jpeg. Materiality
Materiality is the leitmotiv that runs throughout the exhibition. Price uses his materials not simply for aesthetic reasons but for their sociological and historical resonances. The Vintage Bomber (2005-2008) wall reliefs were produced by forcing heated polystyrene over the cast of a bomber jacket to yield an empty shell that is both 3D icon and 2D image; while they may initially seem abstract, Price here considers the way a utilitarian object invented by the military becomes embraced and reworked, first by repeated waves of 20th century subcultures, finally by the global fashion industry. For Price, plastic here holds many cultural and symbolic references: to the Postwar North American and European belief in progress, to the packaging industry and the distribution of consumer goods, and to the elasticity of the virtually endless possibilities inherent in digital manipulation. Beyond the gallery
In his sculptures, films, and writings, Price has also been a prominent and early exponent of an art that depends on interlinked webs of works, media, and references, and which has come to be called ‘networked art.’ To disseminate his work, he has always opted for a miscellany of networks beyond the gallery: the free circulation of music, writing, and video, or the sale of clothes and books outside the art world. Price is also one of the foremost and best-read artist writers of our time, and his publications and essays enjoys cult status among artists, designers, and thinkers. His books include Dispersion (2002), a prophetic and almost instantly canonical essay on digital culture; How to Disappear in America (2008), a manipulated assemblage of found texts about vanishing from contemporary life; and the 2015 autofictional novel Fuck Seth Price.
The exhibition is organized by the Stedelijk in collaboration with the Museum Brandhorst, and is curated by Stedelijk Museum director Beatrix Ruf and Collection Brandhorst director Achim Hochdörfer, in close collaboration with the artist. From Amsterdam the exhibition will travel to Munich.
About the artist
Seth Price (1973, Palestine) studied literature and political science in the United States, and moved slowly into an art world career by way of experimental film and video. He staged his first solo art exhibition in 2004. His work has been exhibited at the Whitney Biennial (2008), the Biennale di Venezia (2010,) and dOCUMENTA 13 (2012). He has staged solo presentations at Kunsthalle Zurich (2008), the Kunstverein in Cologne (2008), and the MAMBo in Bologna (2009). He lives in New York City.
A Public Program with lectures, screenings, and performance accompanies the exhibition.
A comprehensive monographic publication will be available, featuring contributions by Cory Arcangel, Ed Halter, Achim Hochdörfer, Branden Joseph, John Kelsey, Michelle Kuo, Rachel Kushner and Laura Owens, and Ariana Reines.
Seth Price - Social Synthetic is curated in close collaboration with the artist by Stedelijk Museum director Beatrix Ruf, co-curated by Leontine Coelewij. The exhibition is organized in collaboration with the Museum Brandhorst in Munich. The Stedelijk Museum would like to thank Petzel Gallery, Capitain Petzel Gallery, Galerie Gisela Capitain and Galerie Chantal Crousel for their cooperation and support for the exhibition and publication.
Seth Price - Social Synthetic is generously supported in part by the International Collector Circle.