artist / participant
Paul Klee is a giant of twentieth-century art and one of the great creative innovators of the time.
Witty, inventive, magical, his exquisite paintings resist easy classification. He is mentioned in the same breath as Matisse, Picasso and his Bauhaus contemporary Kandinsky. He cuts a radical figure in European modernism. His influence on abstraction can be seen in the works of Rothko, Miro and beyond. And yet, for an artist of such stature, there is still so much to discover about him.
At Tate Modern this autumn, you can rediscover Klee’s extraordinary body of work and see it in a new light. Paintings, drawings and watercolours from collections around the world will be reunited and displayed alongside each other as the artist originally intended, often for the first time since Klee exhibited them himself.
Paul Klee: Making Visible begins with the artist’s breakthrough during the First World War, when he first developed his individual abstract patchworks of colour that later became characteristic of his ‘magic square’ paintings.
The heart of the exhibition will focus on the decade Klee spent teaching and working at the Bauhaus, the hotbed of modernist design. The abstract canvases he produced there, such as the rhythmical composition Fire in the Evening 1929, took his reputation to new international heights.
The 1930s then brought about radical changes. Having moved to Düsseldorf, Klee was dismissed from his new teaching position by the Nazis and took refuge in Switzerland with his family, while his works were removed from collections and labelled ‘degenerate art’ in Germany. Despite the political turmoil, financial insecurity and his declining health, he nevertheless became even more prolific.
Small, expressive canvases, rich with meaning and grouped as Klee himself grouped them: seeing Paul Klee at Tate Modern is your opportunity to understand Klee’s art as he intended and to appreciate the impact of this fascinating artist. Paul Klee: Making Visible presents a revelatory experience of the work of this modern master.
Although Klee saw his art as a process of spontaneous creativity and natural growth, exemplified by his famous description of drawing as ‘taking a line for a walk’, he actually worked with great rigour. The exhibition will challenge Klee’s reputation as a solitary dreamer, revealing the innovation and rigour with which Klee created his work and presented it to the public. Matthew Gale, Curator
Klee’s works, presented in a symphony of yellow, blue and red, create an inexplicable impression of joy, of music and of freedom. Art, artifice or magic?
The EY Exhibition: