artists & participants
The Los Angeles County Museum of Art (LACMA) presents Bodies and Shadows: Caravaggio and His Legacy, an exhibition devoted to the legacy of Michelangelo Merisi da Caravaggio (1571–1610), one of the most influential painters in history. The exhibition was co-organized by LACMA, the Musée Fabre, Montpellier, the Musée des Augustins, Toulouse, and the Wadsworth Atheneum Museum of Art under the auspices of FRAME (French Regional American Museum Exchange), an international consortium to which all four museums belong.
Many of the innovations introduced by Caravaggio were adopted by painters from different countries, backgrounds, and influences. Bodies and Shadows: Caravaggio and His Legacy features an unprecedented eight paintings by Caravaggio himself that will be shown together for the first time in California. Fifty more paintings document his influence on a host of painters from France, Spain, and the Netherlands, including Georges de La Tour, Gerrit van Honthorst, Velázquez, and Simon Vouet.
Bodies and Shadows: Caravaggio and His Legacy first opened simultaneously in two French venues: the Musée Fabre in Montpellier and the Musée des Augustins, Toulouse (June 23–October 14, 2012). Following LACMA's presentation, an edited version of the exhibition will travel to the Wadsworth Atheneum Museum of Art (March 8–June 15, 2013).
About the exhibition By the time of his death in 1610, Caravaggio was arguably the most renowned artist in Rome. This exhibition brings together a large group of artists who worked predominantly after Caravaggio's death, carrying his legacy in different directions. While united under Caravaggio's aesthetic influence, these artists were highly original in their own rights and were recognized for their immense talent and individuality, in particular Orazio Gentileschi, Giovanni Baglione, and Carlo Saraceni in particular.
Attention is devoted to Bartolomeo Manfredi, who, developing subjects and compositional devices typical of Caravaggio, elaborated a style that became particularly seminal amongst French painters in Rome. Simon Vouet, the most famous of those artists, kept working in the light of Caravaggio until his return from Rome to Paris in 1627. Night scenes, brilliantly illuminated, were the specialty of Dutch Caravaggesque artists Gerrit van Honthorst and Matthias Stomer. Caravaggio's stay in Naples left important works, admired by many artists, in the city, which resulted in a typically Neapolitan Caravaggist school fed by the example of Jusepe de Ribera, a Spaniard based in Naples whose role in disseminating Caravaggio's style was as important in Naples as Manfredi's had been in Rome. Paintings by both Zurbarán and Velázquez, two of the greatest Spanish painters of the seventeenth century, demonstrate that even in faraway Seville, the lesson of the master was not ignored. The exhibition concludes with the work of George de La Tour, the enigmatic artist from Lorraine whose subjects and aesthetic elements seem to suggest an inevitable encounter with the work of Caravaggio. Yet the painter never went to Italy and how he could have known of Caravaggio's works in his native Lorraine remains conjectural.
only in german
Bodies and Shadows
Caravaggio and His Legacy
& Orazio Gentileschi, Giovanni Baglione, Carlo Saraceni, Bartolomeo Manfredi, Simon Vouet, Gerrit van Honthorst, Matthias Stomer, José de Ribera, Francisco de Zurbarán, Diego Velázquez, Georges de La Tour ...