press release

Political, economic, and social turmoil shaped Germany’s short-lived Weimar Republic (1919–1933). These pivotal years also witnessed an incredibly creative period in German literature, art, music, film, theater, and architecture. In painting, a trend of matter-of-fact realism took hold. Disillusioned by the cataclysm of World War I, the most vital German artists moved towards what became known as a Neue Sachlichkeit (New Objectivity), in particular, a branch known as Verism. Looking soberly, cynically, and even ferociously at their fellow citizens, these artists found their true métier in portraiture, as seen in the 40 paintings and 60 works on paper featured in “Glitter and Doom.”

The exhibition features gripping portraits by ten renowned artists: Max Beckmann, Heinrich Maria Davringhausen, Otto Dix, George Grosz, Karl Hubbuch, Ludwig Meidner, Christian Schad, Rudolf Schlichter, Georg Scholz, and Gert H. Wollheim. German museum collections in Berlin, Cologne, Dresden, Düsseldorf, Hamburg, Frankfurt am Main, Mannheim, Münich, Stuttgart, and Wuppertal have lent works to the exhibition. Additional portraits on loan from museums in Paris, Madrid, New York, and Toronto, as well as from private collections in Germany, Australia, New York, and Chicago, are included.

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Glitter and Doom: German Portraits from the 1920s

Künstler: Max Beckmann, Otto Dix, George Grosz, Karl Hubbuch, Christian Schad, Rudolf Schlichter, Georg Scholz, Gert Wollheim, Heinrich Maria Davringhausen, Ludwig Meidner ...