press release

Jean-Pascal Flavien - Viewer in Maricá

Galerie Catherine Bastide is pleased to present Viewer in Maricá an exhibition of new works by French artist Jean-Pascal Flavien, which will open on Thursday, October 25 and run through December 22.

The exhibition comprises four new works and articulates many interests of the artist such as architecture, science fiction, printed matters whether in the form of books or posters, music in relation to sculpture and architecture

The piece Sci-fi film, 2007 is a colour, 7 min 28 sec film shown in loop with an original music by American composer Giancarlo Vulcano. This music is saturated the same way the image itself is. The film present the “Viewer” an architecture recently built by Flavien in the near of Rio de Janeiro. This building was first developed in a series of drawings in which it was set in tropical or antediluvian landscapes and desert climates, and at times placed beside dinosaurs. Flavien is less interested by projections of the future or technology than by anachronisms, chronological deviations that all allow him to activate a different temporality in his work.

It is thought as a science-fiction film. There is no human element visible the whole the duration of the film, except for the building itself. Its time, or “époque” could be one of a great past, and at moments, one from a far future. The image is emphasizing on its electronic nature, and on its limits within the camera frame. Shot with a small photo camera, the red colour of the building saturates the images. The house touches the frame, plays with the light adjustments of the camera, the changes and disruptions of colour balance when moving… The sound of the film is written to accentuate these effects, taking the house, and the other elements, sun, landscape, grass, as sources of radiation, creating saturations, revealing the frame. The film is played in loop. It uses a red electronic noise, instead of black between displays. It is projected in an open booth; the sound is asymmetrical, located on the right side of the projection.

The piece « Discussion » is a double model (painted cardboard) of the Viewer. Inside each one a speaker is connected to a two tracks source, playing a specific sound for each model a specific sound. They act like sources of emitted sound, one responding to the other hence the discussion. One sound is low in pitch, the other higher in pitch. The two models are presented on a table, a wood construction like the ones used by vendors on the street of Rio de Janeiro.

The invitation poster also presented in the space is the only thing lighted with a spot. It shows another aspect of science fiction. It features the viewer at night, the scenery sort of reminding “Encounter of a third kind”. Maricá is the name of the place where the viewer has been built.

The fourth piece in the show “Micro-films” is presented in a separate room. A series of very short sequences have been shot during the construction of the house in Rio. In most of them the two carpenters involved in the construction become characters of their own. They seem to be linked to the building, but not in the relation to a constructive activity. Their movements and gestures do not seem to participate to the process of building. The two protagonists have also been asked to perform gestures, like walking in circle, go and come back, pass object around… Some animals near the site, snakes, also feature in the film. For each of the selected micro-films, Giancarlo Vulcano has written some music. The “Micro-films” will be presented in a double projection, one above the other. At times there will be two films playing together, at other times only one and sometime nothing. The music pieces that accompany every micro-film interfere with one another like the sound of several bees.

Viewer in Maricá is the third solo exhibition of Flavien at the gallery. Some 40 drawings from the Dinosaur Drawings series will be exhibited at Musée Départemental d’Art Contemporain de Rochechouart in 2008.

Jean-Pascal Flavien born 1971 lives and works in Berlin. Selected exhibitions include: Biennale d’Art Contemporain, Lyon (2007); Viewer, Maricá, (Rio de Janeiro), Brazil (2007); A+M bookstore, Devonian Press, with Julien Bismuth (2006); « Les formes du délai », curated by Daniele Perra, la Box école nationale supérieure d’art de Bourges, France (2006); Galerie Catherine Bastide, Bruxelles (2005); “A show without work”, curated by Daniele Perra, Spazio Lima, Milano (2005); Galerie Catherine Bastide, c/o Ghislaine Hussenot, Paris (2004); The stars are so big, the earth is so small…, c/o Schipper & Krome, Berlin, Allemagne (2004); Museo do indio, MIRA (Mostra International Rio Architectura), Rio de Janeiro (2003); Galerie Catherine Bastide, Bruxelles (2002); "Ici et maintenant", Tour et taxi, Bruxelles, curated by Laurent Jacob (2001); "Sculpture noire ", Los Angeles (2000) Performances include: Plouf! with Julien Bismuth, Rio de Janeiro (2006); Announcement, with Julien Bismuth and the Giancarlo Vulcano’s occasion Band , New York (2005) ; Announcement of an expedition, with Julien Bismuth, Los Angeles (2000); A list of lies, with Julien Bismuth, Los Angeles (2000)


Jill Spector Born in York, Pennsylvania, 1976

Education 2005 MFA: Art Center College of Design, Pasadena 1998 BFA: Syracuse University, School of Visual and Performing Arts, Syracuse, NY

Solo exhibitions 2007 Galerie Catherine Bastide (project room) 2005 One Arm Too Many, MFA Thesis Exhibition, Art Center College of Design, Pasadena Sculpture & A Hat, Art Center College of Design, Pasadena Partner, Platform, Perfect, Posture, Art Center College of Design, Pasadena

Group exhibitions 2007 …drawling, stretching, and fainting in coils…, curated by Diana Thater, FestSpiele+ 2007, Pinakothek der Moderne and Nationaltheater, Munich, Germany Modern Lovers, The Glendale College Art Gallery, Glendale College, Glendale 2006 JSA Show, Rental Gallery, Los Angeles Supersonic, Los Angeles Design Center, Los Angeles 2004 Ink, Noose, & the Sea: Bret Nicely, Jill Spector, & Dawson Weber, Art Center College of Design, Pasadena

Performances & screenings 2007 Performance/Film/Video. Screening at Daniel Hug Gallery, Los Angeles 2005 At 7pm If You Know the Words Sing Along, costume for a performance work by Corrina Peipon, for Celine and Julie Go Boating, exhibition and performance at Anna Helwing Gallery, Los Angeles, CA 2004 Show Down, costumes for sculptural performance by Liz Larner. Performance at MAK Center at the Schindler House, Los Angeles Ink, Noose, & the Sea, in collaboration with Bret Nicely and Dawson Weber. Screening and performance at Art Center College of Design, Pasadena Five Dance Constructions and Some Other Things, choreography by Simone Forti. Performance in conjunction with A Minimal Future? Art as Object 1958-1968 at the Museum of Contemporary Art, Los Angeles, CA

Bibliography Los Angeles, CA. Modern Lovers, 2008. Texts by Kathryn Andrews, Michael Ned Holte, and Kristina Kite

Jean-Pascal Flavien - Viewer in Maricá

project room: Jill Spector: In Around Sculptures #1 & #2