artist / participant
In the autumn of 2013 the Royal Museums of Fine Arts of Belgium will stage an exhibition devoted to painting in Brussels in the period between the death of Rogier van der Weyden (1464) and the activity of Bernard van Orley (1515-1541).
At that moment Brussels was a thriving town, the Coudenberg Palace being the favourite residence of the dukes of Burgundy. It was surrounded by the palaces of courtiers and noble families like the Nassau or the Ravenstein. They were all important patrons of the arts.
Building on the results of the recent research and the existing studies the exhibition presents an overall picture of painting in Brussels at the late 15th and first years of the 16th centuries, tackling the subject from various viewpoints, historical, iconographic, stylistic, technical, economic and in terms of work organisation and exact copying
only in german
The heritage of Rogier van der Weyden
Painting in Brussels 1450-1520