artist / participant


press release

The Nature of Arp
April 13 - September 2, 2019
Organized by Catherine Craft, Nasher Sculpture Center

From April 13 through September 2, 2019 the Peggy Guggenheim Collection presents The Nature of Arp, curated by Catherine Craft and organized by the Nasher Sculpture Center, Dallas, first venue of the show. This exhibition will investigate in depth the achievements of Jean (Hans) Arp (1886-1966), one of the most important and multifaceted artists of the modern era, whose experimental approach to creation, radical rethinking of traditional art forms, and collaborative proclivities resonate with the wide-ranging character of art today.

Over a career spanning more than six decades, Arp produced a remarkably influential body of work in a rich variety of materials and formats. A founder of the Dada movement and pioneer of abstraction, he developed a vocabulary of curving, organic forms that moved fluidly between abstraction and representation and became a common point of reference for several generations of artists. The seven works by Jean Arp nowadays belonging to the Peggy Guggenheim Collection provide a rich starting point for this exhibition, as Arp was the first artist to enter Peggy Guggenheim’s collection with his small bronze sculpture Head and Shell (Tête et coquille) dated 1933. “The first thing I bought for collection was an Arp bronze. [Arp] took me to the foundry where it had been cast and I fell so in love with it that I asked to have it in my hands. The instant I felt it I wanted to own it” wrote Peggy Guggenheim in her autobiography “Out of This Century” (London : Andre Deutsch, 1979). She then enthusiastically added sculptures, as well as collages, reliefs and works on paper to her holdings. She included Arp’s work in several exhibitions of contemporary sculpture that she organized, first in her London gallery in 1938, then at her museum/gallery Art of This Century in New York, in a solo exhibition in 1944. Then Arp won the grand prize for Sculpture at the XXVII Venice Biennale in 1954 and was a frequent guest at Peggy’s palazzo during the 1950s as attested by his witty sketches in her guest books.

The Nature of Arp is accompanied by a richly illustrated catalogue with a central essay by the curator of the exhibition, Nasher Curator Catherine Craft.