press release

Marta Minujin is a prominent voice of the Argentinean avant-garde art scene in the 1960s and 70s, with a brilliant international career that helped define the discussion about media, performance, and participation. Minujin is often mentioned as one of the pioneers of happenings.

MINUCODEs revisits an early project developed by the artist in 1968 at the Center for Inter-American Relations (CIAR), now Americas Society. For the Minucode, Minujin collected social data through a series of cocktail parties attended by readers who responded to questionnaires she posted in the press.

Drawing from strategies akin to the happening, and cinema verite, Minujin staged an immersive electronic environment in the gallery using footage from the parties, and set a series of "light and sound environments" created by selected guests in an adjacent room. The light environments were a collaboration between Minujin and artist Tony Martin.

Through original footage recently recovered and digitalized and archival documents, MINUCODEs illuminates this early work by a fundamental voice of the neo-avant-garde scene in Latin America in the 1960s. Additional documentation on Circuit (1967) and Simultaneidad en Simultaneidad (1966), collaboration with Allan Kaprow and Wolf Vostel, will also be on display.

only in german

Marta Minujin: MINUCODEs
Kuratoren: Gabriela Rangel, Jose Luis Blondet