Sidsel Meineche Hansen. Welcome to End-Used City

Sidsel Meineche Hansen. Welcome to End-Used City
20.09.2019 - 08.12.2019

Chisenhale Gallery presents Welcome to End-Used City, an exhibition by Sidsel Meineche Hansen. The exhibition brings together new and existing works to further explore Meineche Hansen’s ongoing enquiry into virtual and robotic bodies and their relationship to human labour within the gaming, pornographic and tech-industries.

Central to Meineche Hansen’s exhibition is a new video work End-Used City (2019). Using a game controller, audiences can select and view three short videos embedded in the eyes of an animated figure. The body of the figure is composed of portraits of key software providers within the global tech-industry, whose products and accompanying end-user licence agreements, set the terms and conditions of "surveillance capitalism."

Following an introduction from the animated figure, three short videos can be activated. Set in London, in a dystopian near future, the videos explore different modes of surveillance, from a resident caretaker to behavioural tracking software. The videos follow a female character, in the role of a lethargic double agent, surveilling the city. Combining footage shot in London with computer-generated images, End-Used City explores a growing economy built on the monetisation of personal and behavioural data from a first-person perspective. Starring Anna Smith, End-Used City is made in collaboration with Black Shuck, Therese Henningsen, Troy Duguid and Clifford Sage with sound by Brynje.

Installed at the entrance to the exhibition space is Hellmouth (To Madame) (2018), which was produced as part of Meineche Hansen’s 2018 PRE-ORDER I-III exhibition series. This work acts as a gatekeeper to the space and partially obstructs the entrance to the gallery. Further complicating issues around privacy and access, the gallery’s toilet is only accessible by attaining an oversized key ring at the gallery’s front desk.

Sidsel Meineche Hansen’s exhibition continues Chisenhale Gallery’s Commissions Programme for 2019, which includes new commissions by artists Ghislaine Leung, Mandy El-Sayegh and Ima-Abasi Okon. Through her work, Meineche Hansen explores issues relating to labour, desire and value, themes that recur throughout Chisenhale Gallery’s programme for 2019.