Marcel Broodthaers

Milton Keynes Gallery presents the most comprehensive exhibition in the UK by the renowned Belgian artist Marcel Broodthaers (1924–1976) since his Tate Gallery retrospective nearly thirty years ago. Broodthaers was a poet, photographer, film-maker and artist and throughout his career challenged the role of the artwork, the artist and the art institution. This exhibition has been conceived and developed by Milton Keynes Gallery with the support of the Broodthaers Estate. This will be the only venue in the UK for the exhibition, which runs from 26 January – 30 March 2008.

Considered to be one of the most important artists of the last century, the exhibition explores the diversity of Broodthaers’ practice including books, editions, objects, projections and paintings and features several works never seen in the UK before, including his first ‘artwork’, Pense Bête, 1964, which addresses his enduring concerns about form and language and the construction of meaning.

The exhibition includes Miroir d’Epoque Regency, 1973 from arguably the artist’s most significant passage of work, Museum d’Art Moderne, Département d’Aigles. This comprised twelve different ‘sections’ and was founded with the 19th century section in his Brussels house in 1968. The mirror reflects the gallery and viewer back on themselves, questioning the role of the institution and the visitor within it. The exhibition also includes examples of his renowned shell works – mussels and eggs – as in Grande Casserole de Moules, 1966 and 289 Coquilles d’Oeufs, 1966. The egg and mussel shell become a recurrent symbol in Broodthaers’ work as a means of questioning the social function of the artwork. With characteristic wit and insight Broodthaers announced ‘Everything is eggs. The world is eggs’.

Publication A book with contributions by co-curators Barry Barker, Maria Gillisen and Michael Stanley will be published to accompany the exhibition.

Marcel Broodthaers